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Granted, there might not be much of a distinction between “call girl” and “woman who goes on dates with men to get them to buy her gifts and pay her bills,” but we tend to think the overwhelming chicness of this moment and the unlikely high quality of the ensemble itself were director Blake Edwards’ way of playing down what could have been considered the seedier elements of the character first introduced in Truman Capote’s story, as if to start off the film by openly asking its 1961 audience, “How can anyone who looks this chic and glamorous possibly be a sex worker?” Pin If she’d stepped out of the cab into the morning sun looking even a little disheveled – looking anything less than spectacular – the entire feel of this scene would be different

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Yes, Yes, I realize it was in Victorian times and women didn't have many options except to do as they were told by their husbands (it pains me to even write that) but I think I would've been putting up more of a fight especially where the children were concerned and not thinking so highly of old Alfred which she continues to do the entire novel and defends him adamantly

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